Shot in Lạng Sơn, Vietnam, the music video transforms the gorgeous and unsettling interiors of caves and coal mines into “habitats of transit between worlds and the axis of time itself.” Multiple overlapping journeys are realized in this phantasmagorical middle world replete with arcane rituals.
3. the ritual - a tutorial
the farewell prayer starts with e.e.cummings’ whisper i carry your heart with me(i carry it in my heart) (three times) (don’t you ever miss it)
standstill, hands behind your back,
hands touch your nape
hold your breath
one minute
A dream, I insist that it must be a dream is the ninth prompt of nine - a work that was made as a response to Henrik Ibsen's "Peer Gynt", as part of Teater Garasi's project "UrFear: The Multitudes of Peer Gynt".
How long does it take for the sun to rise is the eighth prompt of nine - a work that was made as a response to Henrik Ibsen's "Peer Gynt", as part of Teater Garasi's project "UrFear: The Multitudes of Peer Gynt".
I'm permitted a little vanity is the seventh prompt of “nine” - a work that was made as a response to Henrik Ibsen's "Peer Gynt", as part of Teater Garasi's project "UrFear: The Multitudes of Peer Gynt".
Abandon all hope, you who enter here is the sixth prompt of “nine” - a work that was made as a response to Henrik Ibsen's "Peer Gynt", as part of Teater Garasi's project "UrFear: The Multitudes of Peer Gynt".
Here, empty and clean is the fifth prompt of “nine” - a work that was made as a response to Henrik Ibsen's "Peer Gynt", as part of Teater Garasi's project "UrFear: The Multitudes of Peer Gynt".
Can I leave as I came is the fourth prompt of “nine” - a work that was made as a response to Henrik Ibsen's "Peer Gynt", as part of Teater Garasi's project "UrFear: The Multitudes of Peer Gynt".
He just couldn't close his eyes is the third prompt of “nine” - a work that was made as a response to Henrik Ibsen's "Peer Gynt", as part of Teater Garasi's project "UrFear: The Multitudes of Peer Gynt".
The worms in the soil is the second prompt of “nine” - a work that was made as a response to Henrik Ibsen's "Peer Gynt", as part of Teater Garasi's project "UrFear: The Multitudes of Peer Gynt".
I'm living in my dream is the first prompt of “nine” - a work that was made as a response to Henrik Ibsen's "Peer Gynt", as part of Teater Garasi's project "UrFear: The Multitudes of Peer Gynt".
🦋𝐑𝐮𝐧𝐠 𝐑𝐢𝐧𝐡 is 𝐗_𝐁𝐚𝐧𝐠𝐝𝐚𝐧𝐠's original latest video performance specially made for the one and only Gây quỹ Gãy Lovestream, initiated by Gãy Collective, happened on 29.08.2021 along side with the most adorable musicians/artists/DJs we gave known of.
"It will be a disconcerted day in a starless moonless night" was inspired by the story of an old veston in Saigon (Vietnam) where the tunnel of time locates. Each body gesture contains a myth in itself. Every human and spirit intertwines with each other's pathway, together guiding the audiences on a meditation among a pasture ore of lost memories and undefine identities.
“How difficult it is to be sulky with all the rabbits in the cave
How difficult it is to be sulky with all the crows in the nest
How difficult it is to be sulky with all the bees in the forest
How difficult it is to be sulky with all the earthworms in the soil”
"Whisper from the other world" (2019) was a collection of videos filmed out of mise-en-scène created by the energy and imagination of many individuals who participated in my 7-day "Slumber party in a strange land" experience under mango and jackfruit trees in a hidden Chinese graveyard taken care by a former Vietnamese soldier where I placed a bed with mosquito net with several votive objects and sacred fruits and foods around.
In the midsummer of a tropical country, persons are taking their siesta, personas dream of time, nothing but the tranquility of time. It was inspired by my habit of visiting my uncle's grave on the highest spot of the pine forest where you can see moon in the day time and the sun looks bigger than ever before sunset.
Water will both blur and clean your vision. Water floats you down the purest dreams